I am simple and believe in luck,labour,chance and god...
I Have Done 3 year diploma in MANIPURI dance from BHATKHANDE UNIVERSITY, lucknow & Have Done 2 year P.G.Diploma in DRAMATICS ARTS from Bhartendu Natya Academy(BNA),lucknow.My workfield as an actor & Directer in Film and Television.Also as a costume designer,choreographer and Directer in THEATRE.
I Have Done 3 months Film-Orientation course in film and television institute of india(FTII), Pune .
Nowdays Working in Indian Film Industry as Directer & Actress.

Tuesday, August 7, 2012

La strada (1954), the film Fellini called “the complete catalogue of my entire mythological world,” is a starring vehicle for wife Giulietta Masina as Gelsomina, a clownish waif who communicates best with nature and children. Sold by her mother to Zampanò (Anthony Quinn), a travelling circus strongman, she accompanies his act on trumpet. They are joined by the Fool (Richard Basehart), who walks a tightrope high over provincial squares. When brutish Zampanò accidentally kills the Fool, Gelsomina goes mad and eventually dies. News of her death wrings tears from Zampanò at film’s end. The first entry in what Bondanella deems the “trilogy of salvation or grace,” these figures derive meaning from their emotional impact and symbolic significance, not their material circumstances. Gelsomina and Zampanò play out the grim relations between the sexes, a vagabond version of “Beauty and the Beast,” and the roles of “savior” and “convert.” So much so that Fellini was savaged by the Left for betraying his neorealist origins.